The paper offers a comprehensive overview of the INSAM Journal of Contemporary Music, Art and Technology, focusing on its editorial policies, structure, and research profile within the broader context of regionaland global academic publishing related to music and arts. Through an analysis of fourteen issues published between 2018 and 2025, the paper traces the journal?s development, its transdisciplinary orientation, and its commitment to open-access publishing. It further examines how the journal?s ?technoscape? connects artistic research, music, and technology, positioning INSAM Journal as both a platform for independent scholarly expression and a site of regional collaboration and exchange. The study also reflects on the challenges and significance of maintaining an independent, digitally based, and transdisciplinary journal in the contemporary landscape of the humanities.

The critical examination in this paper should point to a shift in a perspective in understanding musique concrète (concrete music) in relation to its historical evaluation, viewing it as a music of technology. The paper is based on the hypothesis that each technology in its materiality and functionality shapes the outcomes that arise from it, which is ultimately aimed at looking for the ‘human’ in the ‘composer-technology’ dichotomy. That is where the reshaping of the musical experience takes place. But it should be noted that the technology share will be questioned through only a few aspects of concrete music, which is why there is an open possibility for further research problems.

SONEMUS is an organization established in 2001 for the purpose of performing, promoting and educating in the domain of contemporary music. The SONEMUS Festival is the only festival of its kind in Bosnia and Herzegovina and that is the reason for its great importance for the development and expansion of 21st-century culture and art in the home country, as well asin the region of Southeast Europe. So far, a large number of projects have takenplace under the name of SONEMUS, including a variety of concerts,workshops and lectures. From 2015 to 2018, the Society has registered fourfestivals of exceptional importance for musical life in Bosnia and Herzegovina. Consequently, this article will review of the Festival’s development over the past four years.